One of the many perks of living in Europe: I was within reasonable proximity of the Edinburgh Yarn Fest! What an amazing treat to be surrounded by such talented crafters, and such beautiful wool, for a whole weekend.
Highlights: I took a class with Karie Westermann on pattern writing. Karie loaded us up with a ton of great information; she didn’t hold anything back. She also has a great teaching style: she’s organized, she’s encouraging of students, and she had prepared some handouts which I’ve found myself referring to a few times since the class. If you get a chance, definitely take one of her classes.
I saw some great people I already knew, including Sonya Phillips, Ysolda Teague, and Stephen West. I also met some people who I’ve been admiring from afar for awhile now: Bristol Ivy, Thea Colman, Kirsten Kapur, Anna Maltz, Tom van Deijnen, and (OMG sooo exciting) Cecilia Campochiaro. My husband and I both got to chat in-depth with Ellen Mason. What a rad lady. I love her laid-back style and I’m obsessed with her new smock pattern (I got to see her smocks in person and they are so frigging cute).
I was too chicken to introduce myself to Kate Davies. She just looked so unbelievably intimidatingly gorgeous at her booth, and she was undoubtedly quite busy the whole time.
My funds were limited, so I shopped very carefully. I spent a lot of time at the Black Bat Rare Breed Wool booth, and my big splurge was 3 skeins of Whistlebare 4ply (it was just so shiny and pretty!). The surprise sleeper hit of the fest was Rachel Atkinson’s Daughter of a Shepherd, made from her dad’s Hebridean sheep. The breed and the story are captivating enough on their own, and the yarn bewitched me (and a lot of other festival-goers) with its deep natural black color, fuzzy halo, and intoxicatingly sheepy aroma (there were a lot of yarn-huffers wandering around).
From one daughter of a shepherd to another: thanks, Rachel, for sharing your beautiful yarn with us, and I’m so glad I could meet you and chat with you.
I came home with a single treasured skein of DoaS, and I’m sure I’m not the only one. I wanted a project I could wear where everyone could see it, in a relaxed gauge that would allow the the fibers to lay flat and bloom a bit. For the Bruntsfield Cowl, I used a stitch pattern called Portcullis Stitch from Barbara Walker’s Second Treasury…, which doesn’t curl at the edges, and has an open-textured, almost crocheted look to it. Plus, it’s easy to memorize.
1 skein Daughter of a Shepherd July 2015 Clip
1 pair 4.5mm (US #7) needles (or size needed to obtain gauge)
1 4mm crochet hook (size isn’t super important, just something reasonably close to your needle size)
Extra needle one size bigger than knitting needles for 3-needle bind-off
Gauge: Approximately 25 stitches x 21 rows= 4” in Portcullis Stitch
Cowl measurements: 28” circumference and 10.5” wide
Notes: Cowl is knit flat, starting with a provisional cast-on. The cowl is finished by knitting the open stitches together with the cast-on edge, using the 3-needle bind off technique.
K2tog: knit 2 stitches together (1 stitch decreased)
SSK: Slip next 2 stitches as if to knit, slip them back to the left needle and knit these 2 stitches together (1 stitch decreased)
KYOK: knit 1, yarn over, knit 1 into same stitch (2 stitches increased)
SK2p: Slip 1 stitch as if to knit, knit next 2 stitches together, pass slipped stitch over (2 stitches decreased)
RS: Right Side
WS: Wrong Side
Using one-step provisional cast-on, waste yarn, crochet hook and main needles, cast on 65 stitches. Break waste yarn. Using working yarn, begin stitch pattern:
Row 1: [WS] P all stitches
Row 2: [RS] K2tog, KYOK, *SK2p, KYOK,* repeat **’s to last 2 stitches, SSK.
Repeat these 2 rows until work measures 28” from beginning edge. Repeat Row 2 once more.
Very carefully, remove waste yarn from beginning edge to expose open stitches. Place open stitches on size 7 needle. You should have 65 stitches on each needle. Turn work so that WS is facing out, with both edges of open stitches lined up side-by-side. Using extra needle and 3-needle bind-off method, knit both edges together.
Weave in ends and definitely wet-block! This yarn blooms and softens very nicely after being soaked in warm water. I added a splash of apple cider vinegar to the water.